One of the questions I get asked is how you make a film unique at a venue you film at often. The answer is simple: whilst the venue might be the same, the people and story change at every wedding. My style of wedding videography is all about capturing people and each couple’s story in an honest and unique way.
Elle and Henry wanted a fun, upbeat party, and their day lived up to those plans, aided by amazing weather. For my edit, it was a simple choice: the film had to be high-energy, fast-paced, and showcase all the energy and fun that took place on the day.
I decided to start the trailer with a lighter moment from Henry’s groom speech, alongside footage of Elle and Henry during golden hour, to introduce the couple on screen as Henry tells a story about the early days of their relationship. I like to start with something funny and upbeat. Weddings are a celebration, and I think a wedding film should lean into this style more.
I wanted the shaky handheld style to mirror the more energetic style of the day and to set the tone for the film that is to come. From Henry’s speech, I cut to guests hugging Elle and Henry post-ceremony, before briefly showing bride and groom preparations as we jump around in the timeline. I chose to mix up the timeline to keep the viewer engaged. One of the highlights of the morning was Elle’s father, Jim, seeing Elle in her dress and the raw emotion that he showed. I wanted to build up to that and show the joy and pride in Elle’s father, a real emotional high on the day and exactly the kind of genuine moment I want a wedding film to preserve. As I had built the emotion up, I felt it was time for the money shot of Elle arriving at the aisle and then the first kiss. Sometimes I like to hold this back, but with so much party footage to come, I decided this could be the gateway to ramping up the pace of the edit.
From here, it was fast cuts of the reception, singing waiters, and the first dance. At this point, I wanted to go back to Henry’s speech and use a more heartfelt section where he talks emotionally about the magic of their relationship, about doing nothing meaning everything. I like to contrast this observation against the couple doing so many things on their wedding day, the contrast of simplicity and celebration, before ending on a repeated shot from the opening golden hour, match-cut through movement to a drone shot on the lake.
I wanted to include lots of content in this film, keeping it raw and real, with high energy and the party taking centre stage. I think this trailer really showcases the fun side of Elle and Henry’s wedding.